https://svenjasimoneschulte.cargo.site Svenja Simone Schulte Sat, 20 Jan 2024 14:05:47 +0000 https://svenjasimoneschulte.cargo.site en https://svenjasimoneschulte.cargo.site/Alt-frontpage Thu, 12 Oct 2023 14:19:24 +0000 Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/Alt-frontpage Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/Mobile-header Sun, 17 Oct 2021 13:27:04 +0000 Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/Mobile-header Lorem Ipsum Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesque condimentum eros sed vehicula rhoncus. Maecenas vel molestie est. Sed quis turpis sapien. Donec vel dignissim augue, vel maximus velit. Pellentesque eget pretium tellus, nec aliquet purus. Information EmailInstagramTwitter https://svenjasimoneschulte.cargo.site/Index Sun, 17 Oct 2021 13:27:04 +0000 Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/Index https://svenjasimoneschulte.cargo.site/Film-making-index Thu, 12 Oct 2023 14:25:57 +0000 Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/Film-making-index Filmmaking My artistic film work is informed by feminist thinking and a critical reflection on the cinematic gaze. In my aesthetics I strive for a strong handwriting incorporating hybrid documentary forms. Collective approaches are relevant for me in order to implement desirable forms of social and caring work structures. https://svenjasimoneschulte.cargo.site/La-Residence Sun, 17 Oct 2021 13:27:05 +0000 Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/La-Residence La Résidence Documentary Film -&nbsp;in production - Funded by nordmedia – Film- und Mediengesellschaft Niedersachsen/Bremen mbH Directing/ Production Svenja Simone Schulte &amp; Franziska MerloCinematography&nbsp; Svenja Simone Schulte The artistic documentary La Résidence follows the inhabitants of an international student residency in the Parisian suburb of Saint-Denis, to trace global young perspectives on the European metropole. Set within the unique architecture of the residence on the premises of the revolutionary Université Paris 8, the film traces the ideas, stories and identities forming the inhabitant’s perspectives of Paris. While the city's myth and postcard reputation attracted them, the romantic Paris seems far away. Between observing documentary images and staged scenes, the film approaches this tension from the point of view of the residency. Its inhabitants find themselves in a temporary home between these realities, learn about themselves and the spaces they inhabit.&nbsp; <img width="1661" height="935" width_o="1661" height_o="935" data-src="https://freight.cargo.site/t/original/i/ec4fcd7fb3c7cd1d6ee21550419f80a0a90cc8dca44136e2d840bff653ff737f/1_Eiffelturm.png" data-mid="248899950" border="0" src="https://freight.cargo.site/w/1000/i/ec4fcd7fb3c7cd1d6ee21550419f80a0a90cc8dca44136e2d840bff653ff737f/1_Eiffelturm.png" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/52166fa638b88486edb296911e018a628a53e266229a050016151a596fd50b94/2_Fernando_Koffer_Hof.png" data-mid="248899951" border="0" src="https://freight.cargo.site/w/1000/i/52166fa638b88486edb296911e018a628a53e266229a050016151a596fd50b94/2_Fernando_Koffer_Hof.png" /> <img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/01e631cbc83644e9ae7a77804ebad13773264634951ed0e1abd6f862bd6655dc/3_Polina_Schach.png" data-mid="248899952" border="0" src="https://freight.cargo.site/w/1000/i/01e631cbc83644e9ae7a77804ebad13773264634951ed0e1abd6f862bd6655dc/3_Polina_Schach.png" /> <img width="3612" height="2032" width_o="3612" height_o="2032" data-src="https://freight.cargo.site/t/original/i/d79a2f168e0701d6cfd628c2eaf13dadc19c5e56a45fbb13e0f48add31ca6c7a/4_Vier_Essen_Kuche.png" data-mid="248899953" border="0" src="https://freight.cargo.site/w/1000/i/d79a2f168e0701d6cfd628c2eaf13dadc19c5e56a45fbb13e0f48add31ca6c7a/4_Vier_Essen_Kuche.png" /> <img width="3000" height="1687" width_o="3000" height_o="1687" data-src="https://freight.cargo.site/t/original/i/f6a8b744e6ac1170edde48f6fd284c7687de9a51397ae8c84d198ad12c19673b/5_Ballerina.png" data-mid="248899954" border="0" src="https://freight.cargo.site/w/1000/i/f6a8b744e6ac1170edde48f6fd284c7687de9a51397ae8c84d198ad12c19673b/5_Ballerina.png" /> <img width="3206" height="1804" width_o="3206" height_o="1804" data-src="https://freight.cargo.site/t/original/i/b5d00b167d1257aaf4659953c0c47f48fc19d2a2309ca08f593a7d0eb15f93d1/6_im_schatten.png" data-mid="248900198" border="0" src="https://freight.cargo.site/w/1000/i/b5d00b167d1257aaf4659953c0c47f48fc19d2a2309ca08f593a7d0eb15f93d1/6_im_schatten.png" /> <img width="3459" height="1946" width_o="3459" height_o="1946" data-src="https://freight.cargo.site/t/original/i/9c5fec0a26301b987dd515cb4b35483fddc696d089e397b61f57c5497bae2900/7_Justin_Fahrrad.png" data-mid="248899955" border="0" src="https://freight.cargo.site/w/1000/i/9c5fec0a26301b987dd515cb4b35483fddc696d089e397b61f57c5497bae2900/7_Justin_Fahrrad.png" /> <img width="3543" height="1993" width_o="3543" height_o="1993" data-src="https://freight.cargo.site/t/original/i/e2e06861a47ddd975f9f784a5665b40893201690055a307ecbac53525b2ab5dc/8_Baguettestift.png" data-mid="248899956" border="0" src="https://freight.cargo.site/w/1000/i/e2e06861a47ddd975f9f784a5665b40893201690055a307ecbac53525b2ab5dc/8_Baguettestift.png" /> <img width="3717" height="2090" width_o="3717" height_o="2090" data-src="https://freight.cargo.site/t/original/i/fd575fe98922cc2498bcbc9588b8f7e95c83df890556d7a5602110c260cba12a/Architektur_Regen.png" data-mid="248900364" border="0" src="https://freight.cargo.site/w/1000/i/fd575fe98922cc2498bcbc9588b8f7e95c83df890556d7a5602110c260cba12a/Architektur_Regen.png" /> https://svenjasimoneschulte.cargo.site/Lightning-Rod Sun, 17 Oct 2021 13:27:05 +0000 Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/Lightning-Rod Lightning Rod Experimental Film DE 2023, 4 Min&nbsp; Directing/ Production/ Image/ Editing&nbsp;Svenja Simone Schulte Performance Simone Gisela WeberHelping Hands Franziska Merlo, Juliane Rettschlag, Lane Peterson Lightning Rod is interested in pole dancing as a (horror) show, playing with expectations and glimpses of the female-read body, seemingly undermining weightlessness. The materiality of the stainless steel pole is examined, as is the footage of the Super 8 film. <img width="3360" height="1955" width_o="3360" height_o="1955" data-src="https://freight.cargo.site/t/original/i/3d31fdf8d432c86016508325cb443fed6bd24c89ab3815d586c1157a37f996b2/LIGHTNING-ROD_1.png" data-mid="193546005" border="0" src="https://freight.cargo.site/w/1000/i/3d31fdf8d432c86016508325cb443fed6bd24c89ab3815d586c1157a37f996b2/LIGHTNING-ROD_1.png" /> <img width="3360" height="1956" width_o="3360" height_o="1956" data-src="https://freight.cargo.site/t/original/i/ab400cdd1ac2ead4082b96a34f36633285a23fb4c79a0d519d9166d109367176/LIGHTNING-ROD_2.png" data-mid="193545997" border="0" src="https://freight.cargo.site/w/1000/i/ab400cdd1ac2ead4082b96a34f36633285a23fb4c79a0d519d9166d109367176/LIGHTNING-ROD_2.png" /> <img width="3360" height="2100" width_o="3360" height_o="2100" data-src="https://freight.cargo.site/t/original/i/830713e1f2baac0ce2fbbe52668a415f67ab0260eda97772235b605ce6b96a7a/Bildschirmfoto-2024-01-21-um-19.05.30.png" data-mid="202380800" border="0" src="https://freight.cargo.site/w/1000/i/830713e1f2baac0ce2fbbe52668a415f67ab0260eda97772235b605ce6b96a7a/Bildschirmfoto-2024-01-21-um-19.05.30.png" /> <img width="3360" height="2100" width_o="3360" height_o="2100" data-src="https://freight.cargo.site/t/original/i/f402361226f60fde7937836d90dc6a35f4dff500a872defc9eab50b2e69f0dc2/Bildschirmfoto-2024-01-21-um-19.04.42.png" data-mid="202380797" border="0" src="https://freight.cargo.site/w/1000/i/f402361226f60fde7937836d90dc6a35f4dff500a872defc9eab50b2e69f0dc2/Bildschirmfoto-2024-01-21-um-19.04.42.png" /> https://svenjasimoneschulte.cargo.site/Look-me-over-closely Sun, 17 Oct 2021 13:27:06 +0000 Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/Look-me-over-closely Look me over closely Documentary Film DE 20 Min, 2019 Funded by nordmedia - Film- und Mediengesellschaft Niedersachsen/ Bremen mbH, Friedrich Weinhagen Stiftung, Sparkasse Campus Stipendium, StuPa Uni Hildesheim, Studentenwerk OstNiedersachsen, TU Asta, Crowdfunding. Directors Svenja Simone Schulte &amp; Juliane Rettschlag Production Svenja Simone Schulte Cinematography Julia WeingartenEditing Sophie Messerschmidt Since 1991 the double performer Sabine Schwarzlose has been appearing as Marlene Dietrich on Berlin‘s cabaret stages.With passion and self-irony, Schwarzlose reflects the longings connected to the myth of Marlene Dietrich: queer icon, femme fatale, a mystery in tailcoat and top hat. Unsurpassed, the actress and singer Marlene Dietrich understood how to stage herself as a mysteriously cool but irresistible iconic figure, whose influence reached far beyond film. As a designer of herself, she deliberately used various tricks and techniques: playing with gender identities and sexualities, praising surfaces, light and glamour. However, wind machines, complex lighting systems, film tricks and technologies have also helped to create the star. And made the audience dream. But what dream is dreamt here? What does it mean to become an authentic Marlene Dietrich? Is it about the looks, the posture, the smoky voice? Is there any more of the spirit of rebellion in it? With the help of the expert Schwarzlose, the film examines the production of the icon and returns to the place where it all began: to the former Kino-Traumfabrik, the Marlene Dietrich Halle in Babelsberg.&nbsp; <img width="2653" height="1994" width_o="2653" height_o="1994" data-src="https://freight.cargo.site/t/original/i/39dc75354f033b531162c4c02fb75f40082eb4abce2ca9dac627054a3892e31e/Look-me-over-closely_filmstill-3.jpg" data-mid="137092286" border="0" src="https://freight.cargo.site/w/1000/i/39dc75354f033b531162c4c02fb75f40082eb4abce2ca9dac627054a3892e31e/Look-me-over-closely_filmstill-3.jpg" /> <img width="2652" height="1993" width_o="2652" height_o="1993" data-src="https://freight.cargo.site/t/original/i/f3ae1cd6cc987ceecfa1605ca03beef04da81952b0821704c959ef7f59b2e71f/Look-me-over-closely_filmstill-5.jpg" data-mid="137092441" border="0" src="https://freight.cargo.site/w/1000/i/f3ae1cd6cc987ceecfa1605ca03beef04da81952b0821704c959ef7f59b2e71f/Look-me-over-closely_filmstill-5.jpg" /> https://svenjasimoneschulte.cargo.site/Muscle-Memory Sun, 17 Oct 2021 13:27:06 +0000 Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/Muscle-Memory Muscle Memory Docufiction CH/DE/FR, 22 Min, 2017 Funded by Jugendkulturpauschale Basel, Jaqueline Spengler Stiftung, Stiftung Futurum&nbsp; Directing/Production Svenja Simone Schulte &amp; Miriam Coretta Schulte Cinematography Svenja Simone Schulte&nbsp; Editing Sophie Messerschmidt&nbsp; Music Miriam Coretta Schulte&nbsp; Sound Design Michael Witte In a near future, in which body-modification has advanced, a new medium of memory has been developed: Hack-No-Tech, from the french term hackers-non-technologiques; it looks like a dance but is a tool used to save information in the body. How would the world change, when bodies suddenly become active memory-carriers?Two sisters, Svenja Simone Schulte as filmmaker and Miriam Coretta Schulte as Hack-No-Tech-er, pursue this question further in their film «Muscle Memory». In order to acquaint yourself with this advancing future, you will meet multiple players: a neuroscientist, an everyday Hack-No-Tech-er and a theatre scholar, as well as experience a small Hack-No-Tech gathering in Paris.Through conversations and situational experiments with the choreographies, various positions on the question of how to harness the potential of the human body will be revealed. <img width="3543" height="1985" width_o="3543" height_o="1985" data-src="https://freight.cargo.site/t/original/i/2fda7bd95838a28f8105b55e43ed4004f7ba5d8e9aac407267f3e55fd79934dd/Bildschirmfoto-2017-12-26-um-21.56.49-Kopie.jpg" data-mid="137089748" border="0" src="https://freight.cargo.site/w/1000/i/2fda7bd95838a28f8105b55e43ed4004f7ba5d8e9aac407267f3e55fd79934dd/Bildschirmfoto-2017-12-26-um-21.56.49-Kopie.jpg" /> <img width="3352" height="1876" width_o="3352" height_o="1876" data-src="https://freight.cargo.site/t/original/i/8b1b1608e000bec71fc3b35f17c74db94180c35b96394e62ae0bbecae8c9b239/Bildschirmfoto-2017-12-26-um-21.54.31.png" data-mid="137090064" border="0" src="https://freight.cargo.site/w/1000/i/8b1b1608e000bec71fc3b35f17c74db94180c35b96394e62ae0bbecae8c9b239/Bildschirmfoto-2017-12-26-um-21.54.31.png" /> <img width="3360" height="1885" width_o="3360" height_o="1885" data-src="https://freight.cargo.site/t/original/i/c432931b2f5d34d404d475b036170adfa76365facd3dacaa27c678a26d8d594a/Bildschirmfoto-2017-12-26-um-21.53.40.png" data-mid="137089799" border="0" src="https://freight.cargo.site/w/1000/i/c432931b2f5d34d404d475b036170adfa76365facd3dacaa27c678a26d8d594a/Bildschirmfoto-2017-12-26-um-21.53.40.png" /> <img width="3360" height="1889" width_o="3360" height_o="1889" data-src="https://freight.cargo.site/t/original/i/c41c11cddb7a1c69429f580bc7f1a3dc53ac51d39f0380851dc6c9c96fe2a0b1/Bildschirmfoto-2017-12-26-um-22.44.07.png" data-mid="137089849" border="0" src="https://freight.cargo.site/w/1000/i/c41c11cddb7a1c69429f580bc7f1a3dc53ac51d39f0380851dc6c9c96fe2a0b1/Bildschirmfoto-2017-12-26-um-22.44.07.png" /> https://svenjasimoneschulte.cargo.site/Film-education-index Thu, 12 Oct 2023 14:22:54 +0000 Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/Film-education-index Film Education I am interested in film education that includes social conditions, that understands film as art, that is feminist, critical and experimental.&nbsp;I have been giving film workshops for children, young people and adults at schools, project spaces and institutions since 2018. I am currently taking part in the 2-year KontextSchule training program (2022-2024) in order to specifically deal with and further educate myself in discrimination-critical perspectives in cultural education in schools.&nbsp;In the academic winter semester 2023/2024, I am giving a seminar at the University of Hildesheim. There, students have the opportunity to develop methods for critical film education and try them out in practice with school classes. Below is a selection of my film education projects: https://svenjasimoneschulte.cargo.site/Critical-Film-Education-in-the-School-Context Sat, 20 Jan 2024 14:05:47 +0000 Svenja Simone Schulte https://svenjasimoneschulte.cargo.site/Critical-Film-Education-in-the-School-Context Methods for critical film education in the school context Seminar at the University of Hildesheim 01.11.23 - 07.02.24 Conception &amp;&nbsp;Realisation Svenja Simone Schulte Film education has found its way into the interdisciplinary school curriculum in Germany. As part of media education, film education has the political mandate to impart skills in dealing with film aesthetics and understanding. In practice, however, it is often the case that the critical examination of structural norms and discrimination in relation to cinematic representations, production conditions and the film industry is neglected. An intersectional, anti-discriminatory perspective in film education is therefore particularly necessary in the context of schools, which are characterized by power structures and social inequality. The aim of the seminar is for students to develop their own approaches and methods for film education in small groups and to try them out in practice at school. We will look at our own (film) biographies, consider different approaches to film education and draw inspiration from critical approaches in educational theory. In this seminar with practical elements, we not only want to deal with the challenges and exclusion mechanisms of school, but also try out for ourselves in the group in a university context how we can create a framework for joint exchange and learning in which we feel comfortable.